American choreographer and dancer trained at the Boston Ballet School, Liz Santoro studied neuroscience at Harvard University before embarking on a career as a performer for a number of experimental dance artists in New York. This path led her to a somatic research on the "performative body", which remains the main driving force behind her own creation projects and collaborations with LPDi.

Since the creation of their company Le principe d'incertitude (LPDi) in 2011, Liz Santoro and Pierre Godard have been collaborating closely together to build choreographic machines that try to thwart the habits of our attention. The singularity of their respective paths has led them to develop systems of creation centered on movement and text which, by revealing their underlying processes - mechanisms of power and seduction, organization of the social space, operating modes of the nervous system - offer the spectator an experience of a perceptual interaction where looking becomes an action that provokes a reaction. Their work has been presented in France, Europe, North America and Asia. They have created various group pieces, We Do Our Best (2012), Relative Collider (2014), For Claude Shannon (2016), Maps (2017), Noisy Channels (2018, 2019), Stereo (2019) as well as in situ pieces such as Watch It (2012), Quarte (2014), FCS Redux (2017, 2018), Mass over Volume (2017) and Learning (2018, 2019). Watch It received a Bessie Award in 2013 in the category "Outstanding Production for a work at the forefront of contemporary dance". Pierre and Liz were the associated artists at the CDCN / Atelier de Paris from 2016 to 2018.